Today it’s the 31st of October – Halloween! But of course in the currently escalating pandemic crisis, there cannot be a proper Halloween party. And it’s even a Saturday, so it would have been ideal for partying. Such a shame …
Don’t get me wrong, I’m not missing all the commercialization of Halloween. In fact it was that very over-commercialization that had put me off Halloween for most of my life. It wasn’t until 2014 that
This post’s theme was not decided by a poll this time but just by myself. For one thing it allowed me to reconnect to the first of my little trips I made this summer, namely to Brno, Czech Republic. The photo above was taken in one of the prime dark sites in that intriguing city and shows some of the fabled mummies to be seen in Brno’s Capuchin Crypt. They’re only semi-mummified (naturally, through the crypt’s micro-climate, it is said); you also see some bare bone. I found the hooded mummy in the centre one of the scariest-looking specimens here.
I was a little surprised to witness
This week I resumed a little bit of travelling, for the first time since January in fact, namely by going to Brno in the Czech Republic, which is only a 90-minute train ride away from where I live (Vienna). Brno (Brünn in German) had long been on my to-do list but had been too easy to postpone given its proximity. Now, with all those pandemic-induced restrictions it had become a more immediate option to test the waters of travelling during these COVID times. So I travelled with my wife by train on Tuesday and came back the same way on Thursday.
I managed to tick off all four significant dark-tourism attractions of Brno during that time: the
There’s an interesting film out about the so-called “stalkers” of Chernobyl, i.e. those people going there not by the usual tourist route, with a guide and a permit, but who enter the Exclusion Zone independently and illegally. The above photo was taken by one of them (Thierry Vanhuysse) and is part of a press package of the film company, which is where I took it from.
Apparently there’s quite a large scene of Chernobyl stalkers. I know one personally, who also told me that this film is a bit unrepresentative in so far as it only features a certain subtype of stalkers. The majority of stalkers, so I was told, follow an ethos of not banging on about their stalking exploits on blogs or social media, whereas